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Design for Love's Labour's Lost, Thomas Grieve, 1799–1882, British, 1839, Watercolor, white gouache, graphite, pen and black ink, pen and brown ink, and collage on three layerd sheets of moderately thick, slightly textured, cream wove paper, Sheet: 6 1/2

Design for Love's Labour's Lost, Thomas Grieve, 1799–1882, British, 1839, Watercolor, white gouache, graphite, pen and black ink, pen and brown ink, and collage on three layerd sheets of moderately thick, slightly textured, cream wove paper, Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm), altar, architectural subject, church, design, drapes, trees. (Photo by: Sepia Times/Universal Images Group via Getty Images)
Design for Love's Labour's Lost, Thomas Grieve, 1799–1882, British, 1839, Watercolor, white gouache, graphite, pen and black ink, pen and brown ink, and collage on three layerd sheets of moderately thick, slightly textured, cream wove paper, Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm), altar, architectural subject, church, design, drapes, trees. (Photo by: Sepia Times/Universal Images Group via Getty Images)
Design for Love's Labour's Lost, Thomas Grieve, 1799–1882, British, 1839, Watercolor, white gouache, graphite, pen and black ink, pen and brown ink, and collage on three layerd sheets of moderately thick, slightly textured, cream wove paper, Sheet: 6 1/2
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Credit:
Sepia Times / Contributor
Editorial #:
1314585886
Collection:
Universal Images Group
Date created:
January 02, 1839
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License type:
Rights-managed
Release info:
Not released.ÌýMore information
Source:
Universal Images Group Editorial
Object name:
981_06_ql_c201210_00397
Max file size:
4992 x 3266 px (16.64 x 10.89 in) - 300 dpi - 8 MB